該作品改編自2000年同名紀錄片，講述塔米·菲（杰西卡·查斯坦 飾）和吉姆·貝克（安德魯·加菲爾德 飾）這對夫婦作為電視福音布道家的大起大落。在上世紀70-80年代，塔米·菲和吉姆·貝克從貧寒中奮起，創(chuàng)建了當時世界上最龐大的宗教廣播電視網(wǎng)和一個主題公園，他們傳遞的愛、接納和繁榮的主題受到人們的尊敬。塔米 · 菲以她夸張的睫毛，獨特的歌聲、以及她熱情擁抱各行各業(yè)的人們而成為傳奇。不過好景不長，經(jīng)濟上的不當行為、詭計多端的競爭對手以及性丑聞的爆發(fā)使得這對夫婦的婚姻破裂，導致他們精心構(gòu)建起來的帝國開始崩塌。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

《風愿》的續(xù)集。

　　這部電影將寫實與科幻合而為一。一種傳染性性疾病STBO正在國內(nèi)蔓延，它通過沒有感情的性活動傳播?！　⌒⊥雕R克和漢斯欠一個美國女人一筆錢，她限他們兩個星期還。他們打算去偷一種專治類似艾滋病的藥劑，然后高價轉(zhuǎn)賣。于是他們雇來了亞力克斯，一個正在跟16歲女友麗莎分手的青年。但在計劃實施之前，他迷戀上了馬克的情婦安娜。麗莎卻并沒有死心，在他們動手那天她來到了巴黎，使得事情更加復雜化……　　當然，這是個悲劇。Love that burns fast but lasts forever.　　這是導演Leos Carax繼《男孩遇見女孩》后的第二部作品，繼續(xù)他對青春和孤獨等題材的關(guān)注，也就是在此片的五年之后誕生了影史經(jīng)典之作——《新橋戀人》。